New Release Wednesday, The Nerds of Color, and The LEGO NINJAGO Movie have teamed up for a “master builder” contest! Submit a #legoninjago inspired build (by Sep 21st) and post with the hashtag, #legoninjagobuild2017 and win one of seven LEGO NINJAGO Movie prize packs! See the movie on Septrmber 22! Winners will be announced the same day on Twitter! Follow @TheNerdsofColor and @TheNRW for the results!
The Nerds of Color Family! We are excited to have teamed up with Warner Bros Pictures and The LEGO Ninjago Movie to premiere this exclusive image of Garmadon! See #LEGONINJAGOmovie on Sep 22, 2017!
As you know, we love the movie Frozen here at The Nerds of Color. Now that it has been released on blu-ray and DVD, fans can rewatch Elsa’s triumphant “Let it Go” sequence over and over again. Though if they had an internet connection, chances are they’ve been doing that already since it’s been on YouTube since December.
As great as the song — as performed by the Wicked-ly talented, one and only Adele Dazeem Idina Menzel — is, you haven’t experienced it until you see it set to the exploits of a naked blue superhuman:
I will accept no other casting. It is too fraggin’ perfect.
Ever since news broke that Jason Momoa (aka Khal Drogo from Game of Thrones or Conan from, well, Conan the Barbarian) was in talks to join the cast of the movie I refuse to call Batman Vs. Superman, I could think of no other role other than the Main Man himself. While speculation on who he might be playing has ranged from characters as different as Martian Manhunter, Bizarro, Doomsday, and Metallo, one thing is for sure, the dude is the spitting image of the Scourge o’ the Cosmos.
Earlier I wrote about the endless narrative possibilities available in the superhero comics genre. Of course, comics are not the only medium to enjoy the fractal narrative. Philip Marlowe, the Continental Op, and Sherlock Holmes are ageless detectives forever solving crimes in short stories and novels. If Jet Li had so desired it, Tsui Hark would probably have made fifty more Wong Fei-Hong movies. And the Brits have the idea down with James Bond and Doctor Who.
But while the fractals can expand forever, artists given to make their own new stories and interpretations can sometimes make changes that are so drastic that they change the nature of the character the audience has come to know. Artists should of course be able to bend and experiment with characters to find new avenues, but there must be limits, no? Because the danger in the course of bending a character is the potential of breaking it.
The critics have been salivating over Alfonso Cuarón’s latest effort, the ambitious science fiction thriller Gravity. And don’t get it twisted: Gravity is pretty darned good. It’s visually and narratively haunting — one of the few contemporary movies that succeeds in marrying a high-concept story with the audience’s (admittedly low-brow) yearning to see things blow up. Also, Gravity is one of the year’s few films that fully takes advantage of 3D technology to establish the various environments that the characters encounter (although I confess I chose to watch Gravity in standard projection because 3D makes my head hurt).
So yes, Gravity is pretty darned good.
But, I just can’t shake the feeling that it could have been so much better.
Spoiler Alert! Please don’t read on if you don’t want Gravity spoiled for you.