What a Shitty Week to be an Asian American Woman in Hollywood

It may feel like beating a dead horse, but I have some thoughts to share about the last seven days in Hollywood. It all started with the debut of the Doctor Strange trailer and our first look at Tilda Swinton’s Ancient One. That was quickly followed up with Paramount offering a sneak peek at Scarlett Johansson’s Major Motoko Kusanagi. (Even today, Lionsgate unveiled Elizabeth Banks as Power Ranger villain Rita Repulsa). Late last week, I posted the above photo on twitter as a joke about a Joy Luck Club remake.

Continue reading “What a Shitty Week to be an Asian American Woman in Hollywood”

Giving Diversity a Chance to Play the Lead

“Give Me A Chance and I’ll Change The World” — Beau Sia

One of my favorite spoken word poems of all time belongs to Beau Sia. In his piece “Give Me A Chance” he talks about the extreme difficulties of being an Asian performer in a country where far too often he is seen as an exotic commodity or is just plain invisible. Although the poem came out over 10 years ago, it is just as relevant today as it was back then, as his poem has been on my mind the past few days, what with the recent reveals of Tilda Swinton playing a Tibetan bald monk in Doctor Strange and now Scarlett Johansson as Motoko Kusanagi in Ghost in the Shell. And in case people forgot, The U.S. adaptation of Death Note is now coming to Netflix with Nat Wolff playing Light Yagami. Yes, just like the other anime adaptation, they didn’t bother to change his last name (I can already hear the arguments that white people can have Japanese surnames too, how dare you be so narrow-minded Edward).

Continue reading “Giving Diversity a Chance to Play the Lead”

Some Thoughts on Scarlett Johansson in Ghost in the Shell

by Jon Tsuei

[Ed. note: This essay first appeared as a series of tweets on Jon’s twitter account and is being re-presented with his permission.]

I’ve been seeing a lot of defenses for the ScarJo casting that seem to lack a nuanced understanding of a Ghost In The Shell as a story.

Continue reading “Some Thoughts on Scarlett Johansson in Ghost in the Shell

Tilda Swinton Teaches Doctor Strange the Mystical Asian Stuff

by Phil Yu | Originally posted at Angry Asian Man

Marvel just dropped the first teaser trailer for Doctor Strange, starring Benedict Cumberbatch as Dr. Stephen Strange, who journeys to mystical Asia to learn Mystical Asian Stuff. The trailer also gives us our first glimpse of Tilda Swinton as the Sorcerer Supreme’s mystical mentor, The Ancient One.

Racebent! In typical Hollywood fashion. Many of us were wondering how the movie would handle whitest actress Tilda Swinton as The Ancient One, who has been traditionally depicted in the comic books as an old-ass mystical Asian man. Now we have our answer: she is bald.

Continue reading “Tilda Swinton Teaches Doctor Strange the Mystical Asian Stuff”

How Gods of Egypt Adheres to Racist Fantasy Rules

Gods of Egypt is a mess. You can look at the myriad of reviews trashing it and see it for yourself. Heck, you can look at the traileror its box office receipts — to see how much of a joke it is. Have you seen such bad CGI in the modern era? But even more insidious than the CGI is that the film went out of its way to cast white actors in an ancient Egypt-set story. This is the second film within two years that showed audiences a white Egypt. You might recall how spectacularly Exodus: Gods and Kings failed.

Technically, Gods of Egypt had all of the ingredients necessary to make a fun “swords and sandals” fantasy. It’s a fantasy that’s not just set in ancient Egypt, but involves gods and goddesses interacting with their human subjects. Who wouldn’t want to see Ra and Horus get into it on the big screen? But where the film’s team went wrong is that they treated it like a “traditional” fantasy. What’s a traditional fantasy, and why was that the wrong approach? Let’s find out.

Continue reading “How Gods of Egypt Adheres to Racist Fantasy Rules”

Why is the Kubo and the Two Strings Cast So White?

by Phil Yu | Originally posted at Angry Asian Man

LAIKA, the acclaimed stop-motion animation studio that brought you Coraline and ParaNorman, recently released the trailer for its latest feature Kubo and the Two Strings, an epic adventure set in fantastical Japan.

The story centers on a young boy named Kubo who lives a quiet, normal life in a small shoreside village until a spirit from the past turns his life upside down. On the run from gods and monsters, Kubo must find a magical suit of armor once worn by his father, the greatest samurai the world has ever known.

The movie looks incredible. Check out this trailer:

Continue reading “Why is the Kubo and the Two Strings Cast So White?”

Remember the Time When Ancient Egypt was White?

Because Hollywood never learns its lesson, Summer 2016 is going to bring yet another whitewashed movie about Ancient Egypt. Late last week Lionsgate shocked the world and unveiled character posters for God of Egypt, a movie that, until now, literally no one had heard about. Then yesterday, they dropped an even more ridiculous trailer.

Continue reading “Remember the Time When Ancient Egypt was White?”

Knowing Our Passions: More with Marjorie Liu

Yesterday, we published the first part of my sprawling interview with fantasy novelist and comic book writer Marjorie Liu. She was at New York Comic-Con promoting next month’s release of her first creator-owned comic for Image Monstress.

For the second half of our interview, I ask her about her previous career as a lawyer, how she decided to become a writer, and what it means to be a prominent Asian American in the media.

Continue reading “Knowing Our Passions: More with Marjorie Liu”

Overplaying the Whitewashing Card with The Martian

Back in June, our NOC mastermind Keith Chow wrote a probing article about how a Korean American character was being whitewashed in the film adaptation of the Andy Weir novel The Martian.

Now that the film has been released for over a week — with considerable box office success, trade publications like Deadline and Variety, among others have released articles about how the Asian American media watchdog group, MANAA, has followed Keith’s lead and declared the film to be guilty of whitewashing:

Continue reading “Overplaying the Whitewashing Card with The Martian

‘Pan’ and the Amazing Technicolor Natives

First things first: Pan — opening in U.S. theaters this weekend — is a colorful, action-packed PG-13 reimagining  of the origins of Peter Pan and his relationships with and to Captain Hook, Tiger Lily, and Neverland as we know them through J.M. Barrie’s play and novel and their myriad subsequent Broadway, Disney, and Hollywood (re)interpretations.

My daughters, ages 11 and 6, enjoyed the film, and the 6-year-old, who often asks to leave the theater during intense or “scary” action sequences, made it through with only a bit of parental ear-covering during loud bits. The world-building and -design and the effects were beautiful and well-done, with visual call-backs to many fantasy, science fiction, and action films that parents will recognize fondly (the Mad Max films and Avatar being just an example) and original effects like giant bubbles of water containing aquatic life floating in the sky that I will remember for a while. But it’s the twists, and the questions and consequences they bring up, that I want to talk about now. So from here on in, SPOILERS AHEAD.

Continue reading “‘Pan’ and the Amazing Technicolor Natives”

Four Hollywood Rip Offs of Motoko Kusanagi

This year marks the 20th anniversary of the theatrical release of Ghost in the Shell, (and 26 years since the manga was first published).

There is no denying the influence this film has had on Hollywood. From James Cameron to Steven Spielberg, directors have praised writer Matsume Shirow and director Mamoru Oshii for their work on the series. Ghost In the Shell was a game changer as it introduced a true Japanese post-cyberpunk world to American audiences.

Continue reading “Four Hollywood Rip Offs of Motoko Kusanagi”

Finding the Right (White) Actor to Cast in that Non-White Role

Over the past weekend, The Hollywood Reporter released an article about the heightened alert placed on ethnic casting. The article starts off with the controversial choice to cast Rooney Mara as Tiger Lily in the upcoming Warner Brothers picture Pan, which will be a re-imagined take on Peter Pan lore. Throughout the article, unnamed producers and studio execs justify their casting decisions with the “tried and true” reasoning that it’s always the best actor being cast for the job, regardless of race, even if that means casting white people to play non-white folks. Ideally, I would be in full support of this idea as I think it really should be about choosing the best actor for the job, regardless of race and nationality. Ideally, casting should be “colorblind” because as actors, we are trained to bring a character to life as far removed from us as possible.

And that’s as far as I can go. No really, that’s it. This is where that dreamy ideal world I’d like to be in is instantly crushed by the not-so-sugary reality that “choosing the best actor for the job” and all that hippy dippy freedom-of-the-arts talk is usually reserved only for the status quo. Or in blunt politically incorrect terms: white people.

Continue reading “Finding the Right (White) Actor to Cast in that Non-White Role”

Asians Get #EmmaStoned (Again) in The Martian

Last week, we spent a lot of time on the blog discussing the erasure of people of color — particularly Asian Americans and Pacific Islanders — in movies like the upcoming Doctor Strange or the recently released Aloha. I was even asked to talk about whitewashed casting on outlets like HuffPost Live and The Rundown on msnbc. And frankly, getting outraged over Hollywood being racist is kind of exhausting. Fortunately, I was able to take solace knowing The Rock crushed Aloha at the box office and that James Wan would be directing Jason Momoa in Aquaman. There’s nothing like a good genre flick to cleanse the palate after a week of justified moral outrage. Take the new sci-fi thriller The Martian — which just had a pretty cool trailer drop yesterday. Surely, there won’t be anything controversial here? Oh wait, this is Hollywood. Crap.

Continue reading “Asians Get #EmmaStoned (Again) in The Martian

These Actresses are Not Asian or Pacific Islanders

Depending on where you stake your claim on the internet, there has been a lot of chatter about a movie that tanked at the box office1 and another one that isn’t due in theaters for at least another year. The thing that links these seemingly disparate films is that both thought casting white women as characters who are written as Asian American and Pacific Islander was a good idea.

Last night, the director of one of those films — Cameron Crowe — finally broke his silence and offered this explanation for why he cast Emma Stone (Amazing Spider-Man) as a character called Allison Ng:

Continue reading “These Actresses are Not Asian or Pacific Islanders”

Hollywood’s Strange Erasure of Asian Characters

Originally posted at Reappropriate

A mere week after I wrote a post swearing off of sharing fan news, the fandom insidiously pulled me back in.

This week, rumours began circulating that Tilda Swinton was in casting negotiations for Marvel’s upcoming Doctor Strange film starring Benedict Cumberbatch in the titular role. Swinton is being considered for the role of the Ancient One, a nearly-immortal Tibetan sorcerer who becomes the young Doctor Strange’s mystic tutor and personal mentor.

That’s right. Tilda Swinton — a British actor whose Wikipedia article notes that she can trace her Anglo-Scot heritage back to the Middle Ages and who is about as far from “Tibetan” as one might get — may be cast to play a racebent and genderbent version of one of the few Asian characters of prominence in the Mystic Marvel world.

Continue reading “Hollywood’s Strange Erasure of Asian Characters”

Hey Hollywood, How’s That Bigotry Paying Off For You?

On Friday news broke that after a year of struggling in the ratings, NBC is canceling its freshman comic book series, Constantine. While others took the interwebs and expressed their disappointment, I celebrated in style. Continue reading “Hey Hollywood, How’s That Bigotry Paying Off For You?”

White Canary and Arrow’s Habit of Whitewashing

It’s no secret that we are huge fans of Arrow and the whole universe of DC heroes on The CW. So the idea of the network spinning off yet another show — tentatively titled The Atom, by the way — set in that shared universe has got all of us Nerds salivating with anticipation. Ever since it was announced that Caity Lotz was also going to star in the spin-off, fans have been guessing how she would be brought back and which character she would play since she, you know, died on Arrow. Uh, spoiler?

Over on ComicsAlliance, they’re speculating that Lotz will be brought back as White Canary. Being a big fan of Caity’s, I’m stoked she’s coming back to the universe. The only problem is, despite the character’s name, White Canary ain’t, uh, white.

Continue reading “White Canary and Arrow’s Habit of Whitewashing”

Enter the GTFOH

On March 21, 2015 Ain’t it Cool dropped the mother, father, cousin, and incarcerated uncle of all bombshells: Brett Ratner wants to remake one of the most iconic films in cinema history, which starred one of the most iconic leading mean in the history of film. To even have the gauldacity to fix your imagination to entertain the idea is Greek tragedy level hubris. How could he even think that he has the talent, vision, heart, and narrative ability to remake Enter the Dragon? Who in our modern cinematic landscape has the charisma, charm, physique, sex appeal, and martial talent to even mimic Bruce Lee? I assure you neither Scott Adkins nor Ronda Rousey have it. No diss to them, but, no.

Continue reading “Enter the GTFOH”

Enter the White Privilege

Over the weekend Ain’t It Cool News revealed that the internet’s favorite hack director Brett Ratner is interested in remaking Enter the Dragon. At a screening of Rush Hour in Los Angeles, Ratner told the audience — almost in passing — that he is in the early stages of developing the movie and is looking for a martial artist to star. Now, before you start foaming at the mouth and cursing your keyboard, rest assured that this isn’t an official announcement that the movie is happening. For all we know, Ratner is just putting it out there with the hopes that Warner Brothers would give him the opportunity to do it — as blasphemous as it may be.

Of course, the internet is beside itself that a hack like Ratner would dare remake a classic like Enter the Dragon and is appropriately showing its disgust at the idea. Here’s the thing that no one’s seeming to be complaining about, though. Both of the names for the prospective lead that got tossed around in the original post are white. Buckle up, because some “reverse racism” is about to go down after the jump.

Continue reading “Enter the White Privilege”

White People’s Superheroes

Hard NOC Life emerges from its winter hibernation, and you can thank Michelle Rodriguez for that. After telling TMZ POCs need to “stop stealing white people’s superheroes,” the actress took to Facebook to say she meant POCs need to focus on creating their own stories.

Naturally, Keith had to discuss this with  William Evans (@willevanswrites) of Black Nerd Problems and newest NOC contributor Valerie Complex (@ValerieComplex).

Continue reading “White People’s Superheroes”

How the Diversity Argument in the Nerd Community Chases its Own Tail

by William Evans | Originally posted at Black Nerd Problems

I don’t usually, and don’t plan to be the guy that writes reactions to other columns. It’s kind of circular and masturbatory and rarely does the work of informing an audience, as opposed to finger pointing across the table at someone else doing the same thing you do. The issue of the diversity in comics seems to be taking on a larger life beyond simple media commentary, however. And we are always 72 hours away from the next event that brings this conversation into focus. For days (and continuing now) it was the topic of what Marvel and Sony should do with their respective versions of Spider-Man. Debates involving Peter Parker’s race, the likability of Miles Morales (or some saying he’s a C-level character), and just how white the MCU films still are currently, have hit the internet at breakneck speed. I contributed to that malaise as well.

The latest such “where we are in 2015 with race and pop culture” test came with the Michelle Rodriguez story over the weekend. Responding to TMZ about the rumors of her being cast for Green Lantern, she responded with the now infamous “stop stealing white people’s superheroes.” Well, as you can imagine, that led to someone Michelle Rodriguez pays, probably telling her how her message was going viral in the way you don’t want things to go viral, which led to her issuing an apology via her Facebook page. It was your garden variety “I’m sorry you’re offended, not sorry for saying something offensive” type of apology that gets passed out in Hollywood as frequently as gift bags at award shows.

Continue reading “How the Diversity Argument in the Nerd Community Chases its Own Tail”

Lost in Translation: Scarlett Johansson and ‘Ghost in the Shell’

As our friend Angry Asian Man pointed out earlier this week, Scarlett Johansson has been offered the role of Major Motoko Kusanagi in Dreamworks’ live-action remake of Mamoru Oshii’s ground-breaking anime Ghost in the Shell. And well, she’s white. Which to many of us here certainly feels like more Hollywood whitewashing at first glance. Particularly to anyone following the on-again off-again plans for a live-action remake of Akira with an all white cast or M. Night Shymayalan’s tragic The Last Airbender.

Continue reading “Lost in Translation: Scarlett Johansson and ‘Ghost in the Shell’”

Everything Wrong with Christian Bale as Moses

by Dion Beary

I’m throwing a temper tantrum over this one. Christian Bale cannot play Moses. No. I know arguing against the whitewashing of a Biblical character is a lost cause, and wandering into any mainstream Christian church decked out with portraits of a blue-eyed Jesus Christ should indicate that the tide isn’t changing anytime soon, but I still find myself just a little more perturbed than average to see Batman play the savior of the Hebrews.

Maybe it’s because in recent years we’ve seen a new wave of white outrage against racebending traditionally white characters. Racebending refers to altering the canonical race of a character. Whitewashing is a type of racebending wherein non-white characters become white or are not included whatsoever. For simplicity’s sake, this piece will use the term whitewashing to refer to that absence of colored folks, while racebending will be used to refer to white characters becoming non-white. Those aren’t exact definitions, but hey, if Christian Bale can play Moses, then I can bend a couple of rules too.

Continue reading “Everything Wrong with Christian Bale as Moses”