Your Name, Makoto Shinkai’s latest animated film, has been making news and setting records in Japan (it’s currently the second highest grossing film of all time over there!) and after watching it, I’m not surprised. Your Name initially comes off as a light-hearted comedy but evolves into a film that touches upon various relatable themes that are woven throughout this story of adolescence, nostalgia, and love.
On February 28, I saw a 15-minute sneak peek of the Hollywood adaptation of Ghost in the Shell. From the announcement of the project, this has always been a bad idea. But the announcement of the cast and story has made things much worse. Most noticeably, Hollywood adaptations of Japanese anime have yet to be successful. Either their stories veer too far from the source material, the director isn’t a good fit or the casting makes no sense. You would think Hollywood would learn, yet here we are, on the precipice of another anime-adapted flop.
Here are the takeaways from what I have seen of Paramount’s Ghost in the Shell so far.
My time in Japan is dwindling down fast so I have been trying to travel a lot. I went to Tokyo last week to check out a video game exhibit (more on that another time) but my friend informed me that there was a Sailor Moon exhibit over at Tokyo City View, the observation deck in Roppongi Hills. Being a huge Sailor Moon fan, I knew I needed to check it out for myself.
In 2015, Nerdist announced that the live-action adaptation of the famed Japanese anime had been revived by directors James Cameron and Robert Rodriguez. Battle Angel Alita, a post-apocalyptic sci-fi action manga/anime written by Yukito Kishiro, is set in the 26th century and follows the female cyborg Alita, as she trains to become the world’s most deadly assassin. The latest report from the Robert Rodriquez/Jame Cameron production reveals that the filmmakers have their top three actresses for the lead role: Maika Monroe, Zendaya (who is the front runner), and Rosa Salazar. In other words: more bad news for Asian American actresses.
Ever since I moved to Japan in 2011, I have been checking out Osaka’s (my current hometown) cosplay extravaganza, the Nipponbashi Street Festa. Every year around the end of March, hundreds of cosplayers, anime/video game fans, and photographers collide in Nipponbashi (aka Den Den Town), Osaka’s answer to Akihabara. Sadly, this was my final experience in witnessing this wonderful event as I will be moving back to the U.S. this summer.
As always, it did not disappoint.
Japan. The land of anime and manga. When those two are brought up, usually the district of Akihabara in the city of Tokyo comes to mind. Sure, Akihabara still is the mecca of countless arcades with floors full of games, stores full of anime merchandise, and tons of specialty stores that will probably have what you are looking for. However, Akihabara is not the only area where these things can be found.
Nipponbashi, otherwise known as Den Den Town, can be seen as the Akihabara of Osaka. While not the size of Akihabara, Den Den Town still caters to the needs of many nerds, myself included. The laidback and easygoing pace of Den Den Town is a lot more relaxing than the hustle and bustle of Akiba. Den Den Town is also home to one of my favorite events of the year: the Nipponbashi Street Festa.
I am one of those nerds that came out later in life. Growing up, I was not hip to nerd culture, but I thought the things I was into at the time were the norm. Being an anime fan growing up in the Bronx, I was somewhat of an outlier. This made me feel like I belonged to an exclusive group of individuals. I was the only one I knew at my school, and the only one on my block, that was into Japanese animation. However, that exclusivity didn’t last long. I had to share anime with all of my friends, and soon everyone else got hooked as well.
My first introduction to anime was Akira. But my reaction to it might not be what you’d expect.
Con Week, where I discuss the various topics surrounding comic and anime conventions, continues on Comics and Cosplay.
In this episode: the increasing costs of convention ticket prices.