Reading Science Fiction In Our New Political Reality

The way people are reacting (and/or responding) to our current political moment is all over the map. Some are taking the ostrich head in the sand approach: If I can’t see it, it doesn’t exist. Some are happy that the end of the American experiment is closer than we ever thought possible. Some are going full-force with resisting, making sure that what is happening does not become the new default. Some are embracing the newly- burnished hate and division, their fantasies of a fourth and fifth Reich are invading our shared reality. Remember when these people used to be on the fringe? Some say this is the last gasp of a dying ideology. I’m of the mind that it is the first deep breath of a newborn. But what do I know? I’m a born pessimist.

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Midnight Taxi Tango: An Endorsement

Before we get into the rest of my full endorsement of Midnight Taxi Tango, I feel the need to ask a question: What kind of Ouija board does author Daniel José Older have access to? Is he somehow hotline blingin’ with the underworld? The way he writes about the dead, the half-dead, the preternatural and the politics that govern them — it reads more like dictation than creation. There are some genuinely creepy scenes in MTT. Skin crawling, looking over your shoulder, peering into shadows to see who is there, creepy. Other scenes are damn frightening. Let me put it to you this way: weaponized ghosts of babies who are hungry and out to devour you. Borderline nightmare stuff. What really works about this novel, and the “Bone Street Rumba” series as a whole, is that none of the scares are cheap. Every scare is legitimate. Every scare is necessary to the tale. This is evidence of Older’s mastery of his narrative.

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In Conversation with Daniel José Older

First off, I want to apologize for the video quality. We did this at the time of  day that is heavy with Internet traffic, and we experienced some delays. I also didn’t label the speakers, but you know who he is.

This was some of the most fun I have ever had interviewing someone.

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Half-Resurrection Blues: An Endorsement

A spoiler free endorsement.

Daniel José Older is the type of writer that forces you to reevaluate your likes and dislikes for particular (sub)-genres. Up until I read Half-Resurrection Blues, I declared a moratorium on anything even resembling urban fantasy. Most urban fantasy almost supernaturally privileges European myth/folk/legend and leaves zero room for stories or influences from other cultures. Fairy court intrigues, battles amongst the Sidhe, and some kind of blonde or “flowing raven haired” chosen one or outcast or bi-species offspring rule the urban fantasy space to such a degree that reading these books feels like looking at a “No Melanin Allowed” billboard written in fairy dust. With Half-Resurrection Blues, though, Older makes a very bold departure.

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Sneak a Peek at the Shadowshaper Cover

Ladies and gentlemen: the cover and jacket for my first Young Adult novel, Shadowshaper, which comes out in July from Scholastic’s Arthur A. Levine Books. Behold the gloryyyyyyyyyy after the break.

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On Conflict in Brave and Orphan Black

In this week’s video, I talk about internal/external conflict and decision-making conflict vs. kill-all-the-bad-guys conflict using the BBC America science-fiction series Orphan Black and the Disney/Pixar film Brave as examples.

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On Backstory in Penny Dreadful and Breaking Bad

Last week, I started vlogging on YouTube. The first video is a brief talk about the process of editing my forthcoming Young Adult novel from Scholastic, Shadowshaper.

In the latest video, I give a brief discussion on storycraft by discussing two things that the television shows Penny Dreadful and Breaking Bad get right when it comes to backstory.

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Pub Deal Announcement: Shadowshaper

Originally posted at Ghoststar.net

In January 2009, I decided to write a book. I’ve always written, always made up strange worlds and sent characters hurdling into them, always dreamt of monsters. But until that day, I was scattered: a screenplay here, a few essays there. Some poems. None of ‘em went very far.

I’d read all the Harry Potters and loved them, loved how they immersed me in the world so thoroughly and stayed grounded and exciting. And I wanted something more… I’d just finished Junot’s Brief and Wondrous Life of Oscar Wao and Walter Mosley’s Six Easy Pieces and the combined ferocity of those two singular and relentlessly truthful voices lit a fire inside me. Octavia Butler’s work stoked that fire and Stephen King’s On Writing reminded me that writing a book was something that can be done, long as you sit down and do it.

So I did.

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