Writer, journalist, and podcaster Marc Bernardin returns to Hard NOC Life! Keith and Marc engage in a wide-ranging conversation about representation in media.
It may be September, but we’re not done sharing videos from Comic-Con! Our final one-on-one conversation from San Diego is with none other than two-time Eisner Award winning artist Cliff Chiang!
Nearly ten years after collaborating on Secret Identities together, Keith finally meets artist Dustin Nguyen on the floor of San Diego Comic-Con 2016 for a special mini edition of Hard NOC Life!
The creative team behind the critically acclaimed Image Comics series Monstress — Marjorie Liu and Sana Takeda — made a rare appearance together at San Diego Comic-Con 2016 and we were able to spend a few minutes with them for a special Hard NOC Life chat!
Last week, we had the opportunity to be a part of CrossLines, a pop-up culture lab on intersectionality presented by the Smithsonian Asian Pacific American Center. In addition to hosting a Reading Lounge/Book Swap and live mural by artist Matt Huyhn, The Nerds of Color was invited to conduct live recordings of Hard NOC Life. The first of these live podcasts featured comic book artist Shawn Martinbrough.
This essay contains spoilers for both the television series and the comic book.
I don’t have cable. So I usually have to wait until the day after to watch The Walking Dead. As luck would have it, I’m in a cheap hotel with complementary AMC with my daughter when the episode “Thank You” airs. Six years old, my daughter is in the bath and complains about the sound from my television show — the two things that she fears the most, while awake and in her nightmares, are racists and zombies. Our compromise is that I turn the sound down and the captions on. And then I watch one of my favorite characters in pop culture get deluged in zombie claws, teeth, blood and guts.
Paper Girls #1 is a finely crafted, unpredictable marvel. I haven’t been this hooked this instantaneously on a comic since maybe all the way back to Dark Knight Returns, or the first Eastman and Laird TMNT books, stuff I loved as a kid. Paper Girls gives me that kind of nostalgic sensation, like I’m in middle school again. But I was never as cool as these night-riding, shit-talking 12-year-olds.
Yesterday, we published the first part of my sprawling interview with fantasy novelist and comic book writer Marjorie Liu. She was at New York Comic-Con promoting next month’s release of her first creator-owned comic for Image Monstress.
For the second half of our interview, I ask her about her previous career as a lawyer, how she decided to become a writer, and what it means to be a prominent Asian American in the media.
I spent this past weekend at New York Comic-Con. When I wasn’t manning the Epic Proportions booth, I was able to sneak away and meet with writer Marjorie Liu. She makes her long-awaited return to comics with Image Comics’ Monstress, reuniting her with X-23 artist Sana Takeda.
In the first part of this exclusive, wide-ranging interview, Marjorie and I discuss the origins of the book, her childhood obsession with the apocalypse, the influence of pre-World War II China, and what it was like reuniting with artist Sana Takeda.
For as long as I can remember, one description of comics has prevailed: comic books are adolescent white boy power fantasies. If you look at the majority of the offerings, it would be kind of difficult to dispute this. Go to any comic shop and you will see a crowd of covers presenting overly muscled white men and impossibly voluptuous white women competently combating some evil, some threat that is just as anatomically disproportionate as the hero/ines are.
Comics, at first glance, are filtered through a firmly and profoundly white and male point of view. But this is a cursory view. If you dig, research, or explore beyond the DC/Marvel axis, this notion begins to lose its stickiness.