Oh my god! This is not a drill! We FINALLY have a trailer and — at long last — a title for the next Indiana Jones movie! I’m not going to spoil any of this by wasting words. Watch this immediately!Continue reading “Official Trailer for ‘Indiana Jones and the Dial of Destiny’ Finally Hits”
We are less than a year away from the return of the greatest adventurer in cinematic history, and Empire unveiled a very cool image and a few very nice looking covers from their upcoming issue, which will feature the next Indiana Jones film as its main story.Continue reading “New Looks from ‘Indiana Jones 5’ Debut”
Today at Star Wars Celebration, Lucasfilm dropped the first look at the next installment of the Indiana Jones franchise! Check out the first image from next year’s Indiana Jones film below:Continue reading “First Look at the Return of ‘Indiana Jones’”
A new player for a new adventure! That’s right folks. Today, Lucasfilm announced that global treasure, Phoebe Waller-Bridge (Fleabag) has joined the cast of the next Indiana Jones adventure! Phoebe will naturally star alongside the obviously already confirmed Harrison Ford, who is stepping back in the fedora one final time.Continue reading “Phoebe Waller-Bridge Joins the Cast of the Next ‘Indiana Jones’”
The “Whitelash” theory of Trump’s super-embarrassing slide into the presidency (well, we never claimed the U.S. wasn’t anti-intellectual, did we?) has the still-ascendant, but demographically shrinking and culturally stagnating white/cis-het/male contingent (helped substantially by their female counterparts) striking back at the diversity of Obama’s America by electing a crypto-white-supremacist in response to his racist and xenophobic dog whistles. Although not the only compelling narrative of the last year and a half, Trump’s Whitelash has enough truth to it to make it into at least a Ronald-Takaki-authored history book, if not a textbook from Texas.
Meanwhile, pop culture may be lashing in the opposite direction — and, in fact, contributing to the panic. Whereas the last Academy Awards shows of Obama’s presidency featured a field of winners that rivaled a wedding-dress-clad polar bear fainting on an iceberg for whiteness, it is President Trump’s first Oscars that saw the Academy — now led by a black woman — crowning its first African-American-made Best Picture. The last season of tv was the most diverse in history, and we don’t need numbers or stats to know this. And even the debate around diversity failures points to how far we’ve come, and how aware of the changing nature of American culture the mainstream has become.
So it’s not much of a stretch to see Logan, clearly the end of a franchise, as the gentle, mournful and mourning, Hollywood-sanctioned version of conservative white panic.