HBO Max and Cartoon Network just announced they are bringing their two most iconic superheroes back to the world of animation. Both Batman: Caped Crusader and My Adventures with Superman are sure to bring in a new generation of fans into the worlds of Gotham and Metropolis, while simultaneously giving long-time fans the kind of nuanced and action-packed stories they crave.Continue reading “Two New Batman and Superman Animated Series Coming to HBO Max”
When Supergirl returns later this year to wrap up its sixth and final season, we’ll see a new hero become National City’s Guardian.Continue reading “‘Supergirl’ Reveals National City’s New Guardian”
Originally posted at A Latina’s Media Musings
Firstly, as an almost disclaimer of sorts, I’ve never been a fan of Arrow. Even in the show’s heyday of seasons one and two when it was praised and lauded as a great show and comic book adaptation. Though it bares moderate similarities to Green Arrow: Year One overall, it just wasn’t for me. However, I can look back on the show’s beginning seasons and see a clear pattern of character arcs that were leading to a greater picture. A picture that would create an adapted vision of the classic Green Arrow comics mythology.
Needless to say, that from season three onward, Arrow did not only continuously strive away from that proposed picture, but did so almost gleefully. It often felt at times that the show was more interested in using the brand names of “Green Arrow” and the original materials (or should I say Batman’s original materials) for the sake of hollowed out Easter eggs, than truly adapting them in interesting and creative ways. One of the best examples of this is the show’s depiction — and mishandling — of the Black Canary, aka Dinah Laurel Lance.
With Supergirl’s second season officially kicked off (recap coming soon!), NOC Denny Upkins and I decided to chat all things Supergirl. Join us on this inaugural edition of NERD OUT.
One of the more enjoyable parts of Supergirl’s inaugural season is the refreshing and bold decision to place this National City hero squarely in the present as a Millennial. The bright and optimistic (and inclusionary!) perspective is drawn clearly in Kara’s idealistic worldview and personified by the bright and hopeful characters she has chosen to surround herself with (more on that in a minute). If Arrow is about the fight against a cold cynicism with The Flash about overcoming tragedy via the love of family, then Supergirl is about staring down the challenges of life with hope and optimism.Continue reading “NOC Recaps Supergirl: A New Kind of Hope”
I have to admit, the penultimate episode of Supergirl’s first season was definitely not my favorite. I’ve been a big booster for this show, even before it premiered, but last week’s culmination of the “Myriad” storyline was not nearly as satisfying as it could have been. Of course, there were some strong moments — as is the case with every Supergirl episode, Calista Flockhart is the MVP — but I really wasn’t feeling the villains’ evil plot this week, especially considering this was being alluded to all season-long.
So here are my thoughts on Batman v Superman: Dawn of Justice. I wanted to wait, but I couldn’t. Feel free to discuss and debate. I look forward to it.
This movie overall was… fine. A strong 7, perhaps add a 0.5. You could see where the studio rushed to cobble the Justice League together, and elude to the fact that, perhaps, there was once a Robin. I have to admit that Ben Affleck made a very good Batman. The Bat was brutal, and the fight scenes were enjoyable.
So, if you haven’t seen it, go ahead. If you have skittish children, keep them home. For a DC cinematic effort, it’s like most that have come before, with the sole exception that there was one that one “hero” on display. And that is where my issues lie.
It would be an understatement to say last week’s Supergirl was the most anticipated episode of the season. Not only did it follow what was arguably the series’ best ep to date, episode 14 — titled “Truth, Justice, and the American Way” — was directed by the NOC’s favorite director Lexi Alexander.
Am I the only one who thinks Supergirl came back sooner than expected? Don’t get me wrong, I’m happy that one of my favorite shows is back on the air, but since the other DC shows — namely Flash, Arrow, and Legends — don’t return until the week of January 19 I assumed Supergirl would be joining them then. Also doesn’t help that there isn’t a new episode next week either. Still, Supergirl is back — for this week, at least — and they pick up right where they left off before Christmas.
Still playing catch up on our recaps, but I didn’t want to go into the holiday break without talking about what was easily the best episode of Supergirl to date. And that’s saying a lot considering how much I enjoyed the last episode. But the mid-season finale — called “Hostile Takeover” — took things to a whole new level and I can’t wait to see what they have in store once 2016 rolls around! Not to mention the fact that NOC-favorite Lexi Alexander will be helming an ep in the new year.
Welp. We’re down seven episodes on CBS’ new Supergirl series, and I can now definitively say that not only does it suck, but it’s also a drag.
Let me clarify: TV shows can suck and still be worth watching. They can feature horrible dialogue, break characterization for cheap plotlines, deploy so many reversals that situations and relationships become meaningless, flub the acting, swell the dime-store music, and commit any number of fundamental visual storytelling sins… while still being hella fun to watch.
Full disclosure: I wasn’t really looking forward to last night’s Supergirl. After the big cliffhanger in last week’s excellent entry into the season — in which Kara cuts herself on a piece of glass, demonstrating her loss of powers — I was disappointed the show was already going the no powers route so soon. This trope gets explored in nearly every iteration of the Superman/Supergirl story. But boy was I wrong! “Human For a Day” might be my favorite episode so far!
After a couple of weeks of out-of-order continuity, we finally got back on track with “Red Faced,” the latest episode of Supergirl. In addition to the live action debut of Red Tornado — and despite the internet’s jokes when the look was revealed earlier, the Red Tornado actually looked pretty good in action. Still wish they kept his blue cape, though — the episode probably delivered the strongest storyline of the season so far.
The fifth episode of Supergirl on CBS finally aired last night, and now we know how the continuity glitches from last week’s episode would be resolved. In case you didn’t know, the episode “How Does She Do It” was scheduled to air last week, but was postponed after terrorists attacked several sites in Paris and Beirut. Instead, they aired the Thanksgiving episode that introduced Livewire, but also picked up a couple story threads that weren’t woven until last night. So was the delay worth it?
After the horrific attacks in Paris and Beirut over the weekend, CBS decided to postpone the already scheduled episode of Supergirl — which apparently centered around a terrorist attack in National City — and instead aired the Thanksgiving episode that was slated for next week. This shuffle in the schedule could have led to some continuity gaps, but apart from a weirdly resurrected Jimmy/Lucy relationship, it didn’t feel too out of place. So what did we think of the latest incarnation of Livewire’s origins?
With each passing week, I’m becoming more and more impressed with Supergirl as a series. Sure, the pilot was already strong, but last week’s episode definitely raised the bar. Now with episode three in the can, the sky’s the limit for Supergirl to blaze its own trail. It’s just too bad the ratings are not keeping pace with the quality of the series. Come on, America! Tune in because this show could use your eyeballs!
After a strong debut last week, the second episode of Supergirl’s inaugural season took a bit of a ratings hit, losing 30% of the audience that tuned in for the premiere. And that’s too bad because those people who decided not to come back missed a really strong follow-up episode and a better indication of what kind of show Supergirl will be. Still, nine million viewers is nothing to sneeze at. To put those numbers in perspective, The Flash and Arrow get a total of about six million viewers a week. Combined.
It feels like we’ve been riding the Supergirl hype train for more than a year now. Now that the show has finally arrived — behind a massive marketing campaign that made it the most watched new show of the season! — the rest of the general public is finally beginning to see what we’ve been saying since from jump: Supergirl, the show, is legit and the best thing to happen to live action superhero adaptations since The Flash debuted — which also stars a Glee alum and is produced by the same folks, coincidentally.
Last night, CBS and Warner Brothers television released a six-and-a-half minute sizzle reel for Supergirl, this fall’s hotly anticipated entry into Greg Berlanti’s DC television
dominance universe. Starring Glee alum Melissa Benoist as the eponymous hero, the preview exuded a sense of fun, joy, and lightness often missing from DC’s live action comic adaptations — not including CW’s The Flash, of course, coincidentally a show also starring another Glee alum.
But how did the internet respond?
It looks like Greg Berlanti is trying to own all of superhero broadcast television. He’s involved in two of the five current DC Comics TV shows (ahem, his shows are doing the best too — is Constantine still on the air? Sorry Constantine fans.) with a few other shows on other networks (like Mysteries of Laura on NBC). His latest venture will be Supergirl over on CBS, co-produced with Ali Adler (Chuck, The New Normal, No Ordinary Family).
Melissa Benoist (Glee) will be playing Supergirl, but as much interest as I already had in the show (knowing it’s a part of the Flarrow universe), I became about 1000% more excited when I learned that Jimmy Olsen will be played by Mehcad Brooks. A lot of people know him from Necessary Roughness or Desperate Housewives, but I am just excited that they’re casting a person of color in a lead role. A lead romantic role, if The Hollywood Reporter’s description reigns true (though I have a bone to pick with a part of it — more on that later).