Every single time there is a “best of” list of comics and graphic novels, it’s almost inevitable that most of these lists are going to look a little similar. You’re going to see Frank Miller’s The Dark Knight Returns on there, Moore and Gibbons Watchmen; (very deserving of a spot in the top 20) Grant Morrison and Dave McKean’s Arkham Asylum: A Serious House on Serious Earth. In writing this, I reviewed fifteen lists and this plays out, with some new additions like Robert Kirkman’s Invincible and Brian K. Vaughan’s Ex Machina; and the more seemingly odder choices like, say, Brian Lee O’Malley’s Scott Pilgrim vs. The World. And at some point, we’re going to have to talk about why there are so many damn men dominating these lists.
Southern Fried Asian is back! This time, Keith is joined by New York Times-bestselling YA science-fiction author Marie Lu. Her new novel, Rebel, the follow-up to her epic Legend series of books, will be available in bookstores October 1 — as will the graphic novel adaptation of her DC Icons story, Batman: Nightwalker.
Dr. Who. Star Trek. The Twilight Zone. The Night Stalker. Monty Python’s Flying Circus. Battlestar Galactica (the original series) E. E. “Doc” Smith. JRR Tolkien. David Eddings. Margaret Weiss & Tracy Hickman. Joseph Campbell. The Avengers (tv show and comic), Spider-Man, The Uncanny X-Men, DC’s Trinity and on and on and on. What do all of these pieces of geek-pop have in common? They were all generated from the minds of (mostly) white men.
Not that there is anything inherently wrong with this, but it begs the question: Do I actually like this stuff, or is it all part of some kind of indoctrination into the dominant culture? Continue reading “Decolonizing My Fandom”
No one appreciates nerd nostalgia like we do at The Nerds of Color, so you’d think Ready Player One would be tailor-made for us. Well, at least Lena Waithe and Win Morisaki are in the movie?
Still, there’s no denying that Ernest Cline’s 2011 novel — which serves as the basis for the Steven Spielberg-directed blockbuster coming out this Friday — was a massive hit. Now, you can get your hands on the book that inspired the movie by following us on twitter!
Recorded live during the Asian American ComiCon Summit on Art, Action, and the Future.
We’ve seen so many different kinds of futures unfurl in pop culture, and many of them have people of color and LGBTQ individuals as backdrop and “local color.” What would a truly diverse, inclusive and intersectional future really look like?
Like the rest of the nation, I woke up this morning to an unfathomable reality. Despite our best efforts, the country has chosen hate and division. Those dystopian science-fiction novels don’t feel so far off anymore. Still, we at The Nerds of Color must soldier on. I’m doing that by participating in CTRL+ALT, the Smithsonian’s pop-up Culture Lab on imagined futures this weekend in New York City. Though, to be honest, I’m having a difficult time imagining the present, much the less the future.
Westworld, HBO’s new science fiction drama that will premiere Sunday, wants to be the big idea. Trade in your zombies and dragons for life-like robots. Tackling notions of morality, artificial intelligence, and entertainment in the premiere alone, Westworld wants to be a show that makes you think. Or perhaps it wants to make you despair.
Star Trek has meant a lot to me as a fan of pop culture, science-fiction, and television. It also has meant everything to me as a human being.
My grandfather, who was a WWII veteran, likely served in a segregated unit in the war. He returned home to a nation still refusing to deal with Jim Crow and other societal injustice.
When I was a very young, I recall him watching various genre programs like Wild Wild West, Gunsmoke, Rat Patrol, The Man FromU.N.C.L.E., and countless other series. However, he especially loved Star Trek.
I am in no way presenting that being adapted for the screen is a measure of success. I am exploring why someone as beloved, talented, and influential as Octavia Estelle Butler hasn’t been presented on television, or projected 50 feet tall in a movie theater. Here is an excerpt of my explorations:
This past weekend in Washington DC, the Smithsonian’s historic Arts & Industries building was home to the most important gathering of artists you have ever seen. The CrossLines pop-up culture lab on intersectionality brought together over 40 artists and scholars to explore race, gender, class, sexuality, religion, disability, etc.
I was fortunate enough to be invited and helped organize a Reading Lounge and live podcasts — while artist Matt Huynh painted a mural in real time the entire weekend. One of the questions I got asked the most was about the books we included, so after the jump you can find a complete list of books we had in the Lounge! Continue reading “The Official NOC #CrossLines Reading List”
When Firefly first premiered, I knew the series was going to be something special. Joss Whedon was at the helm, very talented and good-looking cast, wicked cool concept. Of course it wasn’t until I saw the first episode that I realized how special this little series about cowboys in space truly was. A major part of that success was a little cowgirl known as Zoe Washburne.
Even a galaxy far, far away can feel the effects of racism and White paranoia. Over the weekend, a group of our less enlightened brethren got the hashtag #BoycottStarWarsVII to trend. Why would anyone want to boycott one of cinema’s most venerable franchises? Well, according to some, the new Star Wars film (to be released on December 18 and helmed by geek-favorite J.J. Abrams) promotes “White genocide.”
Two of this year’s big Emmy stories split the difference between our PoCness and our nerdiness. You’ve probably heard about the Game of Thrones’record-breaking wins, and it helps that Viola Davis’ historic win for Outstanding Lead Actress in a Drama is a NOC favorite due to her upcoming role in the DC Cinematic Universe.
A great visionary by the name of Cindi Mayweather once said, “Embrace what makes you unique, even if it makes others uncomfortable. I didn’t have to become perfect because I’ve learned throughout my journey that perfection is the enemy of greatness.”
My name is Dennis R. Upkins. I’m a speculative fiction author who writes urban fantasy, YA, and superhero fantasy. Storytelling has always been my calling, but sometimes fate has to put you on the path. The key is to be astute when the signs present themselves.
It was two years ago and I had a homecoming of sorts as I was back in Atlanta for Gaylaxicon/Outlantacon. The con was a smashing success but that was to be expected. What wasn’t expected however was the revelation I would receive repeatedly throughout the weekend.
Written by Jonthan Tsuei and with art by Eric Canete, RUNLOVEKILL — which debuted last month — is a refreshing, futuristic, cyber-punk tale with art and elements that I would dare to compare to Aeon Flux. Issue #2 hits comic shops everywhere next week. Before it comes out, though, we’re going to take a look back at RUNLOVEKILL #1, which builds tension very well and leaves you on the edge of your seat.
Before I go any further, let me preface by saying this. As a writer, awards and accolades don’t even rank in terms of priorities. Don’t get me wrong, they’re awesome and I appreciate the honor as much as the next person but it goes back to a point my friend Pauline Trent and I discussed one day. There are generally two types of artists — and by artists I mean visual artists, writers, musicians, dancers, etc. The first type of artist is one who wants to be world renowned as a great artist. The second type of artist simply wants to produce as much work as they can possibly produce. More often than not, the latter leads to the former.
Whether it’s an essay, a social media update, or a novel, whenever I write, I have three objectives in mind: to enlighten, to entertain and to empower. So while awards may not be a priority for many writers, we still acknowledge the huge accomplishment in having one’s work recognized by industry peers and fans alike. Over the years, the Hugos have recognized some truly gifted authors. I’m honored to call a couple Hugo nominees good personal friends of mine. But as this fiasco just illustrated, the Hugos are yet another symptom of a corrupt system that is the publishing industry.