Last week, Abrams Books finally released the highly anticipated graphic novel adaptation of Octavia Butler’s classic novel, Kindred. Created by our friends John Jennings and Damian Duffy — collectively known as J2D2, the book has already shot to the top of the New York Times bestseller list for hardcover graphic novels! To celebrate this momentous occasion, revisit my conversation with them recorded last summer during San Diego Comic-Con. The conversation is also available via podcast from Soundcloud (embedded below). Please remember to subscribe to Hard NOC Life on YouTube or iTunes and leave us a rating and review so folks can find us there! And don’t forget to get your own copy of Kindred.
This is an excerpt from a book I started in 2008. I wanted to take a more academic approach to afrogeek and afrofuturist culture and cultural artifacts. I felt this section was important in the present, in light of our new political reality. The books is done, but I’m not sure how I feel about publishing an academic text in a time when we need information to be as clear as possible. Continue reading “Butler, Dystopia, Propaganda, and a Way Through?”
This has been a dispiriting couple of weeks. We are facing a new political reality and now, I feel, there is an increased social, political, and creative urgency — something I’ve never felt before. To address this, me and a few local Bay Area creators have decided to launch AfroGeeks Unite! It is a small initiative that aims to get more POC youth (particularly black youth) involved in the speculative fiction (used as a catchall for SF, comics, horror, etc.) community.
October is Black Speculative Fiction Month and like legions of others, I am celebrating it something fierce.
Why does Black Speculative Fiction Month matter?
Black Speculative Fiction Month matters because now more than ever our stories must be told and our voices must be heard. Black Speculative Fiction Month matters because too often at cons and writing events, I’m the only nonwhite guest in attendance.
This January, Abrams Books will be publishing a graphic novel adaptation of Octavia Butler’s classic novel, Kindred. At San Diego Comic-Con, we had the opportunity to talk with the creators behind the graphic novel, John Jennings and Damian Duffy — collectively known as J2D2, as they were signing galley copies of the book!
Like many others I was saddened and heartbroken to hear about the passing of esteemed speculative fiction author Eugie Foster. In addition to being one of the most gifted writers I’ve ever encountered, Eugie was the personification of grace and class. I was honored to consider Eugie both a colleague and a friend.
Before we get into the rest of my full endorsement of Midnight Taxi Tango, I feel the need to ask a question: What kind of Ouija board does author Daniel José Older have access to? Is he somehow hotline blingin’ with the underworld? The way he writes about the dead, the half-dead, the preternatural and the politics that govern them — it reads more like dictation than creation. There are some genuinely creepy scenes in MTT. Skin crawling, looking over your shoulder, peering into shadows to see who is there, creepy. Other scenes are damn frightening. Let me put it to you this way: weaponized ghosts of babies who are hungry and out to devour you. Borderline nightmare stuff. What really works about this novel, and the “Bone Street Rumba” series as a whole, is that none of the scares are cheap. Every scare is legitimate. Every scare is necessary to the tale. This is evidence of Older’s mastery of his narrative.
Here is his interview from the 2nd Annual Black Comix Arts Festival:
The Liminal War: A Novel by Ayize Jama-Everett drops this week. In preparation for this much awaited sequel, I urge all of you to read the book that started it all, The Liminal People: A Novel. You will not be disappointed. I will post a Liminal War review in within the next week, or two.
First off, The Liminal People isn’t the X-Men and [insert some other superhero franchise]. Whenever there are characters with extra-normal abilities, someone always wants to toss the X-franchise about. If you wanted to make a more accurate comparison, you would have to compare The Liminal People to the old ’60s British television program, The Champions (Google if you don’t know) — albeit the book is a lot more diverse. In a Spec/Fic publishing world that loves little white vampires and werewolves, or little white magic users, or little white vampire hunters, or little white companions on a quest to fight the big black enemy, Liminal is a refreshing burst of the real world. It is the first truly global Spec/Fic book of the 21st century.