The new comic book series White Savior is an adventure story which parodies a certain kind of adventure story. Written by Eric Nguyen and Scott Burman, with art by Nguyen, the first and second issues of the limited series from Dark Horse are available now.
Bullet Train hit theaters this past weekend with a whopping $60 million at the global box office. The film, which stars Brad Pitt as Ladybug – an unlucky assassin who takes a job on the bullet train in Japan when there are other assassins at play – leading him to hilarious and action-packed situations. One of his unlikely allies turns out to be The Elder (played by Hiroyuki Sanada) and his foolish yet equally deadly son, Yuichi (Andrew Koji).
Ted Lasso has taken our pop culture by storm. From its trademark humor to the soccer (AKA football) matches, to the great performances, and an often stunning exploration of mental health (at least for most of its main cast), it’s a show that inspires through showcasing the difficulties that the members of Richmond Football Club endure, and how they ultimately uplift each other through it all.
Recently and on their own initiative, my 11-year old child became interested in Greek mythology. As a single co-parent father continually desperate for reasons to relate to and bond with my child, this delighted me, because by coincidence I became infatuated with Greek myths when I was young. As a broke Vietnamese refugee nerd kid, I’d go to the Franklin library and read up about the messed up Gods, the flawed heroes, the fantastic creatures.
Fans found themselves instantly falling in love with and wanting more from Vanessa Morgan’s portrayal of Toni Topaz as soon as she came onto our screens on Riverdale. Toni was first introduced in season 2, episode 3 “Chapter Sixteen: The Watcher in the Woods,” and became a series regular in season 3. Her portrayal provides representation as one of the only Black series regulars currently on Riverdale as well as her character being openly bisexual. So let’s take a look back at her journey and what we hope to see for the character going forward.
Benjamin Lobato is co-showrunner of USA’s Queen of the South, which is currently airing its fifth and final season. The popular series tells the story of Teresa Mendoza, a woman who is forced to run and seek refuge in America after her drug-dealing boyfriend is suddenly murdered in Mexico. New episodes air Wednesdays at 10/9c on USA Network.
Presented by CAPE and The CW, join the cast of Kung Fu — Olivia Liang, Shannon Dang, Jon Prasida, Kheng Hua Tan, Tzi Ma, and showrunner Christina M. Kim — and The Nerds of Color Editor-in-Chief Keith Chow for a conversation on reclaiming martial arts, shattering stereotypes, and being an Asian American family on primetime TV.
Almost two years ago, Greg Pak took the reins of rebooting the James Bond 007 comic book series but this time, having a revisionist take on a familiar and iconic villain, first introduced in the 1959 novel Goldfinger: Oddjob. Not only was the reimagined take refreshing and very much needed, the series itself was incredibly well done with the plot moving at a brisk pace, the action fun and invigorating to read, and the rivalry/bickering between James Bond and Oddjob (now known as South Korean secret agent John Lee) extremely entertaining and amusing to read.
Since the finale of HBO’s Watchmen, I’ve been trying to reconcile my initial and absolute love for the show along with the eventual (and building) disappointment that I felt by the final episode for the Vietnamese characters and lịch sử brought into the show — but also keeping in mind that at its heart it’s a story about a Black Female Protagonist, the impetus for PTSD the Tulsa Race Riots, aka Massacre (which people still don’t know about), and the trauma and rising of a Black American lineage — không gia đình Việt Nam.
In that way it’s not a straight line from one thought to one conclusion — it’s the questions and the feelings they’ve brought up, their validity in a fictional world clearly designed to take on racism by POC, where there is inclusivity, but where I also can’t help but feel some of the underlying tones are still a recycle of already recycled stories, fictional and beleaguered, where Vietnamese and Asian Americans are still not fully embraced.
On the latest episode of Southern Fried Asian, Keith is joined by the hilarious actor/writer/director whose credits include 21 Jump Street, The Big Short, and the award-winning short film Hand Fart, Stanley Wong.
If you haven’t checked it out already, Boom! Studios’ Mech Cadet Yu by Greg Pak and Takeshi Miyazawa has been one of the best comics to come out this year. Now, Pak has released an awesome new trailer for the series, whose trade is due in comic shops on January 3. Make sure you head to your local comic shop and pre-order by Monday, December 11 to guarantee your copy!
This week, Boom! Studios has finally released the first issue of Mech Cadet Yu, the most recent collaboration between comic book stalwarts Greg Pak and Takeshi Miyazawa. To celebrate the book’s release, Greg returns to Hard NOC Life to explain the book’s creation, including its origins in the Secret Identities follow-up anthology, Shattered.
Much has already been written about Rogue One: A Star Wars Story — how it has added new context to the existing Star Wars franchise, how it is a movie ultimately about war.
Rogue One is also a movie that features three men of Asian descent — two East Asian and one South Asian — and, far from relying on stereotypes of “Asian Masculinity,” in fact subverts those stereotypes in a way that feels revolutionary for Western media. (Needless to say: spoilers.)
When it’s all said and done, 2016 may go down as the year Hollywood finally recognized Asian Americans. At least that’s what actor Osric Chau hopes. The Canadian-born actor — best known to fans as Kevin Tran on The CW’s Supernatural and now as one of the stars of BBC America’s newest hit, Dirk Gently’s Holistic Detective Agency — recently returned from Lisbon, Portugal where he was speaking on diversity in media as a part of Web Summit, one of the largest tech-focused conferences in the world.
In an environment dominated by innovation and technology, Chau realized society at large had to take on similar thinking. “We’re surrounded by thousands of companies that are really pushing our society forward and we have to do the same thing with tolerance,” Chau said. “It’s not just about ‘tolerating’ one another anymore; it’s about accepting people, making diversity a normal thing.”
The buzz right now is for a film named Moonlight. The film, the second for writer-director Barry Jenkins, tells a haunting tale of a boy named Chiron whose battle throughout life is coming to terms with his identity as a gay black man. That identity is complicated by merciless taunts at school and a home life surrounded by drugs and hard drug dealers.
The film looks like it’ll become one of the most important films of the latter half of 2016 and into 2017, and rightfully so. When popular culture thinks of black men, they often think of them as how they are presented in Moonlight; as gangbangers and drug dealers. But in Moonlight, even those characters — including the main character, who later becomes a drug dealer himself in Atlanta because that’s all he’s known and that’s probably how he feels he can best hide himself and fit in — have a tenderness and humanity that is often denied them by society and, consequently, by other forms of media.