On the most recent episode of Supergirl, the producers doubled down on Maggie Sawyer’s problematic Latinx identity.
Hard NOC Life returns with a rundown of the nerd news with Desiree Rodriguez. Later Edward Hong and Josephine Chang join to help review Netflix’s Death Note adaptation
This week, Boom! Studios has finally released the first issue of Mech Cadet Yu, the most recent collaboration between comic book stalwarts Greg Pak and Takeshi Miyazawa. To celebrate the book’s release, Greg returns to Hard NOC Life to explain the book’s creation, including its origins in the Secret Identities follow-up anthology, Shattered.
Originally posted on Just Add Color
Chuck Clayton has gone down as the first character Riverdale’s penchant for reinvention has revamped in the worst way possible. This is not the way for the show to enter its first Black History Month.
Rogue One is also a movie that features three men of Asian descent — two East Asian and one South Asian — and, far from relying on stereotypes of “Asian Masculinity,” in fact subverts those stereotypes in a way that feels revolutionary for Western media. (Needless to say: spoilers.)
Originally posted at CAAMedia
When it’s all said and done, 2016 may go down as the year Hollywood finally recognized Asian Americans. At least that’s what actor Osric Chau hopes. The Canadian-born actor — best known to fans as Kevin Tran on The CW’s Supernatural and now as one of the stars of BBC America’s newest hit, Dirk Gently’s Holistic Detective Agency — recently returned from Lisbon, Portugal where he was speaking on diversity in media as a part of Web Summit, one of the largest tech-focused conferences in the world.
In an environment dominated by innovation and technology, Chau realized society at large had to take on similar thinking. “We’re surrounded by thousands of companies that are really pushing our society forward and we have to do the same thing with tolerance,” Chau said. “It’s not just about ‘tolerating’ one another anymore; it’s about accepting people, making diversity a normal thing.”
Originally published at Just Add Color
The buzz right now is for a film named Moonlight. The film, the second for writer-director Barry Jenkins, tells a haunting tale of a boy named Chiron whose battle throughout life is coming to terms with his identity as a gay black man. That identity is complicated by merciless taunts at school and a home life surrounded by drugs and hard drug dealers.
The film looks like it’ll become one of the most important films of the latter half of 2016 and into 2017, and rightfully so. When popular culture thinks of black men, they often think of them as how they are presented in Moonlight; as gangbangers and drug dealers. But in Moonlight, even those characters — including the main character, who later becomes a drug dealer himself in Atlanta because that’s all he’s known and that’s probably how he feels he can best hide himself and fit in — have a tenderness and humanity that is often denied them by society and, consequently, by other forms of media.
Move over, Fresh Off the Boat! There’s going to be a new show in town that will diminish all the progressive work you’ve done for Asians.
Deadline announced recently that NBC has picked up a half-hour sitcom called Mail Order Family, a comedy about a widowed single father who orders a mail order bride from the Philippines to help raise his two preteen daughters.
What does it mean to be Latinx in comics?
It’s a question I’ve been asking myself for a while now. Growing up snatching up whatever scraps of Latinx representation I could even if it meant settling for stereotypes, whitewashing, secondary character status (if lucky), and their stories ending in death. This is a plight many fans of color and other marginalized peoples can relate to. In comics, Latinx characters are often Latinx in name only, Spanish characters being positioned or promoted as Latinx characters, whitewashed, or having their Latinx identities erased.