They’ve conquered television! They’ve conquered film! Now the house that JJ built is going where no production company with a robot-based mascot has gone before — audio storytelling (I think the cool kids call them “podcasts”)!Continue reading “Spotify and Bad Robot Partner for Bad Robot Audio”
HBO Max and Cartoon Network just announced they are bringing their two most iconic superheroes back to the world of animation. Both Batman: Caped Crusader and My Adventures with Superman are sure to bring in a new generation of fans into the worlds of Gotham and Metropolis, while simultaneously giving long-time fans the kind of nuanced and action-packed stories they crave.Continue reading “Two New Batman and Superman Animated Series Coming to HBO Max”
Dominic, Keith , and Jamal return to speculate about what the title Spider-Man: No Way Home means for the franchise, break down the role of grief in the latest WandaVision, analyze the news about JJ Abrams and Ta-Nehisi Coates working on a Superman reboot, the controversy behind The CW’s Superman and Lois, and more!
We’re excited to have on TV writer, blogger, and Star Wars fan Arezou Amin on to discuss the long history of MENA people being excluded from Science Fiction and Fantasy media. Why are we constantly ousted from stories that were, in fact, inspired by works based on the Middle East and our culture? Where could we even find ourselves? We discuss Arezou’s project with Postcards from the Galaxy’s Edge featuring Black, Indigenous, and People of Color (BIPOC) Star Wars fans, and what she and the podcast hoped to achieve with it. We also discuss various DCTV news, including the Legends of Tomorrow panel at DC FanDome and the future of Zari and Behrad Tarazi in Season 6, Supergirl ending with Season 6, and Caity Lotz’s bufoonish tweets, and the news that Alia Shawkat is creating and starring in a series based on her family’s Iraqi immigrant experience!
It’s a Post-Crisis Hard NOC Life this week as Dominic and Keith break down the epic, five-episode crossover on The CW.
When I first saw The Force Awakens after a fully funded summer media apparatus of hype in the winter of 2015, I remember the following Christmas morning my mother turned the corner, threw me a Force Awakens pillow, and coldly chuckled “Merry Christmas.” It was a good joke — like many the Force is moderately strong in my family — but it left me to wonder, what Christmas spirit at Walmart possessed my Mom to buy me this gift? I suspect my mother may have unknowingly become a Disney market research statistic. But after the last five years and our predestined Rise of Skywalker, I am largely left to ask the same question.
Before December 2019 ends, I wanted to take a moment to reflect on one of the most significant pop culture artifacts of the year. This is the month, after all, in which one of the co-creators of the iconic series Lost gave us a critically acclaimed and universally praised ninth episode of a series that breathed new life into a franchise that had not been this beloved since the mid-1980s. By shifting the focus away from the historically white male heroes of the original and toward a story centering women and people of color, the creators had to also confront the toxic — and often racist — fan culture that had laid claim to the property for over thirty years. Plus, they were able to do all of this without the consent of the property’s original creator.
Of course, I’m talking about Watchmen on HBO.
It’s the most wonderful time of the year on The Middle Geeks! Star Wars time! But is it really though, with the latest release of The Rise of Skywalker? Swara and Mae discuss, getting into what they liked about the film, as well as the issues they had with it and the Sequel Trilogy as a whole. Note that this is a SPOILER discussion. But before that, we get into the month of Middle Eastern and North African (MENA) representation highs and lows, from the high of having an Arab-American hero introduced to Marvel Comics to the low of Aladdin star Mena Massoud not getting a single audition due to Hollywood racism, even after his film made a billion dollars. We still have a long way to go!
WARNING: The following contains major spoilers from Star Wars: The Rise of Skywalker.
The latest and final installment of the Skywalker saga of Star Wars is now out in theaters. In The Rise of Skywalker, the Resistance must face the First Order once more, in the midst of the mysterious return of Emperor Palpatine.
by Jamal Igle
(Warning: This essay is filled with spoilers for Star Wars: The Rise of Skywalker)
After 42 years, the Skywalker Saga comes to a close with the release of The Rise of Skywalker. Keith was joined by Jamie Noguchi to screen the movie at Baltimore’s historic Senator Theater. Here are their instant reactions. SPOILERS!
Let’s be honest. The reason you, the skeptic who hated on The Last Jedi for two years (not me, but you know who you are!), went on this site and clicked on this review is to find out whether or not Star Wars: The Rise of Skywalker is any good. But the answer to this isn’t a simple one. Now before the cynic in you dismisses the movie entirely just because it’s not an overwhelmingly positive “yes,” just know that it’s not terrible either. To put it simply, in a year where we had Avengers: Endgame and the finale of Game of Thrones, The Rise of Skywalker, the conclusion to the 40 year Skywalker saga, is squarely in between: neither as amazingly uplifting and universally praised, nor as abysmally disappointing and anticlimactic as some other fantasy finales that pissed me off.
With Rise of Skywalker and the end of the Skywalker Saga at the end of the month to look forward to, Hard NOC Life is going to be a Star Wars podcast for the month of December. Because there aren’t enough Star Wars podcasts on the internet! Each week, Dominic and Keith will be breaking down a different trilogy that make up the beloved Star Wars franchise.
Finally, after weeks of anticipation — and one half of terrible football (unless you were a New England Patriots fan) — the world finally got to see the final trailer for Star Wars: The Rise of Skywalker, and ultimately, the final trailer of the Skywalker Saga. And it did not disappoint!
On a new episode of Hard NOC Life, our intrepid Star Wars correspondent Constance Gibbs reports back on her snowy adventure in Chicago for Star Wars Celebration.
Are you freaking out? Because we’re freaking out.
The month of May holds a special place in the hearts of Asian American and Pacific Islander Star Wars fans. For starters, May has been AAPI Heritage Month since 1990, though it originally began as “Asian Pacific Heritage Week” when it was proposed in Congress by Representatives Frank Horton and Norman Y. Mineta in 1977. That’s right, 1977. You know what else debuted in May 1977?
People tell me physical media is a dying format and that everyone gets their movies digitally now. Well, I’m old and set in my ways. One of those ways is buying my favorite movies on blu-ray. Last time there was a new Star Trek movie available on disc, Paramount spread the movie’s bonus features over several different retail outlets, and I was not happy about it. This time, while there are still retail exclusives for Star Trek Beyond, you don’t have to buy five different versions of the same movie to get all of the featurettes in one place.
Westworld, HBO’s new science fiction drama that will premiere Sunday, wants to be the big idea. Trade in your zombies and dragons for life-like robots. Tackling notions of morality, artificial intelligence, and entertainment in the premiere alone, Westworld wants to be a show that makes you think. Or perhaps it wants to make you despair.Continue reading “What’s the Big Idea? A Review of HBO’s Westworld“
Note: No big spoilers here, at least nothing beyond what’s shown in the trailers for Star Wars: The Force Awakens and what occurs in the first 15 minutes of the film.
The essential psychology of the Star Wars saga is mindfulness. “Using the force” is all about embracing the present moment. That’s what Yoda taught Luke and it’s something Anakin never picked up from Obi-Wan.
Mindfulness continues to be a part of J.J. Abrams’s Star Wars: The Force Awakens. I can’t get into specifics because things would get spoilery, but it’s safe to say the climax of the film is a moment of mindfulness. We also see new characters develop meaning in their lives, just like Han Solo did in the original trilogy. The way The Force Awakens honors the past mythology (and psychology) of Star Wars while also refreshing it for a new generation is a big reason why I’m a fan of the film.