So… Wonder Woman is out. I volunteered to review it. Holy Heck, How do you review a film like Wonder Woman?
On Monday morning we released our summer collection that included our new Wonder Woman Denim Jacket. Out of everything new we are creating this year, this is the one piece I am most excited for. Wonder Woman is FINALLY getting her own live action film after almost 40 years since Linda Carter’s iconic TV version. Fortunately, in the past few years, we have seen more social advocating for equal representation of gender, orientation, and race in our favorite comics, TV, and films. Much has changed. Much has not.
The Great Wall was, as the movie posters implied, about how we should all say #ThankYouMattDamon. Yes, he comes up with the brilliant plans that the Chinese hadn’t figured out in the last 2,000 years (even though there was a clue in ancient texts) and all that white savior stuff — fittingly, the movie was written by the same guy who wrote The Last Samurai. Seriously, you can’t make this stuff up). But I’m not gonna talk about it because you can find it all over the internet.
You can read about the plot here — or read Valerie’s review here — so you know what I’m going to be talking about, but it’s basically Starship Troopers in ancient China. But there was a theme that made me not want to slit my wrists and go screaming out of the movie theater (which was the case when I saw Kubo and the Two Strings, but that’s for another day). What was it? It was the portrayal of womyn.
My name is Julie, and I am an actual woman in tech. Sometimes it’s hard being me in tech, because I am a woman… of color… with children… who hasn’t watched a single Iron Man or Wolverine movie. Call me Unicorn.
Have you read about the latest study that shows how shitty it still is to be coding while female (or, I assume, presenting as female)? The way they controlled for geekiness is especially awesome. There aren’t many surprises in this study’s findings; women in Computer Science and tech in general have always been excluded, implicitly and explicitly, and it seems the majority still likes to protect its vanguard.
The article’s flaw, in my opinion, is labeling Dungeons & Dragons, Star Trek, and other geek institutions as “masculine.” That’s too easy to dispute, and therefore, dismiss. We all can see why “masculine” is not the most accurate adjective to use: there are plenty of counter-examples of masculinity that have nothing to do with that stuff, and of course there are plenty of femmes who like that stuff. It is rather more a slice of the pop culture universe that is indeed white male dominated, but takes its identity from fandoms, the objects of those fandoms, and the general quest for purity within those fandoms. So for the rest of this article, I’m going to call this cultural archetype “ubergeek.”
On August 3, I was excited to unveil a project I’d been working on for nearly a year. I had been working with Magic: The Gathering to produce a brand new character; a character who is a biggie for their Planeswalkers cast of characters. Kaya, Ghost Assassin has made history as the first black woman Planeswalker, and I’m honored to have been a part of her creation.
At 8 years old, I would wake up early every Saturday morning to tune in and watch Superboy. Over the years, I’ve been a faithful viewer of the original George Reeves Superman series, Lois & Clark, the Bruce Timm animated series, the live action films, and of course the comics. I’m a comic book guy through and through. For me, Superman isn’t just a superhero. He is THE superhero. I’m very protective of the Man of Steel’s mythos and legacy. Suffice it to say, I had my concerns when the CBS series Supergirl was announced.
Somehow when I wasn’t paying attention, my reaction evolved from, “The pilot was cute, I guess I’ll tune in,” to “Jesus Christ is it Monday night yet? I need my Maiden of Might!!!!”
The Doctor Strange controversy — combined with the push to cast an Asian American actor as the title character Danny Rand aka Iron Fist — has been buzzing for the last couple months. With the release of the first official trailer for Doctor Strange, Marvel’s next would-be blockbuster movie after Captain America: Civil War, the controversy has reached an all time high. So much so that a Marvel spokesperson gave this statement to Mashable regarding the casting of Tilda Swinton as The Ancient One in Doctor Strange:
Marvel has a very strong record of diversity in its casting of films and regularly departs from stereotypes and source material to bring its MCU to life. The Ancient One is a title that is not exclusively held by any one character, but rather a moniker passed down through time, and in this particular film the embodiment is Celtic. We are very proud to have the enormously talented Tilda Swinton portray this unique and complex character alongside our richly diverse cast.
Is this statement true though? Has Marvel Studios really pushed diversity in their movies? Have they increased the visibility of marginalized peoples in their film franchise or television properties? Has Marvel Studios subverted stereotypes? Enough to supposedly excuse recent controversies surrounding Doctor Strange and Iron Fist?
For the last year, we have been excited for the upcoming fantasy film Yamasong: March of the Hollows. Featuring the voice talents of George Takei, Whoopi Goldberg, Freida Pinto, and other top names in Hollywood, Yamasong — from director Sam Koji Hale — looks to revitalize the fantasy puppet movie genre. So it is very exciting to present this NOC exclusive behind-the-scenes video spotlighting the women who are bringing the world of Yamasong to life!
So… The trailer for the new Ghostbusters film hit today. I am a really big fan of the original first film, and I enjoyed the much misunderstood second. I was really looking forward to this reboot. The new (all woman) cast looked stellar. I love the idea of an all-woman ghostbusting squad. I think there are opportunities for a completely different type of humor that would be a welcome relief from the smarmy, white guy charm of the original two films. I damn near broke my tablet trying to watch it.
2015 was an interesting year for me. After finally getting back behind the camera at the end of the summer to shoot The CW’s Arrow, I found myself a couple of months later in a Federal building in downtown Los Angeles, trying to convince half a dozen security guards to let me make my EEOC appointment despite my expired driver’s license.
Luckily ACLU lawyer Melissa Goodman, the patron saint of women directors, was with me and was able to convince the no-nonsense guards that I wasn’t a threat.