Perhaps the most anticipated event of the DC FanDome was the reveal of Matt Reeves’ The Batman. Earlier this week, Reeves dropped the logo and some awesome Jim Lee art to build up the hype. But today, all some was unveiled!
On this week’s Hard NOC Life, Dominic gets Keith through his very own “flu game” to score all the points on the week in Nerd Pop.
Continue reading “Hard NOC Life: Casting Cat and Breaking Bad”
This year, audiences will grab their portkeys to journey once more into J.K. Rowling’s ever expanding Wizarding World, when Fantastic Beasts: The Crimes of Grindelwald comes to theaters November 16, 2018. The sequel continues the enchanting adventures of magizoologist, Newt Scamander (Eddie Redmayne), and his colleagues, as they race against time to prevent dark wizard, Gellert Grindelwald (Johnny Depp) from fulfilling his goal of wizard domination over non-magical beings. The film, with higher stakes than the first movie and a much darker tone, also features a welcome return to a setting we’ve been missing for seven years: Hogwarts School of Witchcraft and Wizardry.
In anticipation of the film’s release, The Nerds of Color were able to meet with returning stars Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol, and Ezra Miller, as well as franchise newcomer Callum Turner, and producer David Heyman for a fantastic conversation about the film, their characters, and the return of Hogwarts and Albus Dumbledore.
The trailer for Fantastic Beasts and Where to Find Them: Crimes of Grindelwald is finally out! Here’s hoping the movie can keep up with all of the plot lines that the trailer packed in. Below is a rundown for a few magical extras in this fantastical sequel. Spoilers start now!
Continue reading “The Final ‘Fantastic Beasts’ Trailer is Out Now and Action Packed”
[I wanted to write this reflection the weekend of its release. I decided that I needed a little more time because the film hit home in too many ways and I needed some space from it to get a better handle on how I wanted to approach it. This will not be a typical review, nor will it be an endorsement — despite my endorsing the film whole-heartedly. I have no idea what this is, but I needed to get it out.]
Hip-hop is fandom. While it may not be explicitly geek/nerd culture, it is fandom of the highest order. If anyone chooses to refute this, they aren’t being intellectually or culturally honest. Never has this connection been so blatantly displayed than in Rick Famuyiwa’s 2015 gem of a film, Dope. [I have a lot more to say about this. Watch this space in the next month or two]
As humankind ventures deeper into a digital being, Mad Max: Fury Road reminds us that we still live in an analog world. Life after the apocalypse will have no synthesized dings or chimes for audio cues, we will have only the roar of revving engines, bursting flamethrowers, war drums, and a gas-powered electric guitar to warn us that danger is in the distance.
It took 30 years for George Miller to return to the wasteland, but the timing couldn’t have been any better. Miller has taken the uncompromising arthouse nature of the original Mad Max movies, and combined it with 30 years of experience and the technology to create the fully realized, seemingly impossible world of Fury Road.
The result is an action movie that will be the benchmark to which every one to follow will be judged.
