Get ready to fall in love with the next best DJ in The Disney Channel’s Original Movie Spin.
Directed by Manjari Makijany, the film follows Indian American teen Rhea who lives a pretty normal life that revolves around her eclectic group of friends, Molly, Watson and Ginger, her after-school coding club, her family’s Indian restaurant, and her tight-knit, multi-generational family, which includes her father Arvind, younger brother Rohan and her grandmother Asha.
There are celebrities and there are Hollywood legends. It’s not every day that The Nerds of Color gets to interview the latter. But I’m thrilled to say that recently, The Nerds of Color was actually able to sit down with two of the most iconic legends on the planet; A duo whose career pre-dates the filmography of icons like Scorsese, Coppola, and Spielberg, and whose work would revolutionize the way we look at cartoon violence!
Netflix’s newest animated series, Archibald’s Next Big Thing Is Here, premieres February 18 and I had the opportunity to sit down with Hamilton star and quadruple Hollywood threat, Jordan Fisher (Dancing with the Stars), to talk his experience working on the show as well as his many other goings on.
When you first hear about the upcoming Disney+ film, Flora & Ulysses, you wonder just how Newbury Award-winning author and executive producer Kate DiCamillo came up with the idea of a girl and her superhero squirrel. The film, which premieres this Friday, tells the story of Flora, an avid comic book fan and self-avowed cynic, whose parents have separated. After saving a squirrel after being sucked up by an out-of-control vacuum, Flora names her new furry friend, Ulysses. She discovers, like the comic books, that Ulysses possesses unique superhero powers that help change Flora’s outlook on life for the better.
This was supposed to be a different kind of article.
Two weeks ago, The Nerds of Color youth correspondents and their parental units were invited to attend the premiere screening party for Disney Jr.’s landmark new animated series, Mira Royal Detective (premiering on Disney Jr. today in the United States and India) and interview the cast of voice actors from the South Asian diaspora on the red (or rather blue) carpet at Disney’s Burbank studios. It was a celebration of diversity and community, of difference and commonality, full of music and laughter, of children of all colors and artists and craftspeople from all parts of Hollywood joining together to marvel that this milestone of representation was finally on-screen.
It’s extremely hard to look directly into the eyes of Freida Pinto without blushing.
When I first entered the press room where Pinto was prepping for the premiere of Disney Junior’s latest animated series, Mira, Royal Detective, I couldn’t help but compliment her on her beauty, successful career, and her work for empowering women. Named by Vanity Fair as one of the most beautiful women in the world, Pinto humbly laughed off the compliments aimed at her and got serious when we began talking about her role as Disney royalty in the new series.
“I keep forgetting it’s a Disney Queen,” laughs Pinto. “It’s not just a Disney character.”
It’s press day for Disney Junior’s upcoming animated series Mira, Royal Detective, the first animation based on the cultures and customs of India for children. Set in the fictional land of Jalpur, the series follows Mira (Leea Ladnier), a commoner who is appointed to the role of royal detective by the Queen (Freida Pinto). Mira solves mysteries with help from her friends, thus proving she is indeed one of the best detectives in the land.
With the premiere of the new Netflix original movie Rim of the World debuting this Memorial Day weekend, the film’s screenwriter Zack Stentz joins Hard NOC Life to talk about its origins and the current state of pop culture fandom.
A lot of people of color of my generation who are passionate about diversity and representation in the media tend to point to the media we consumed as children as the reason why — to the absences, omissions, and misrepresentations, and to the token presences we latched onto like lifelines. Today, our childhood experiences are ever-present motivators in our lives as fans, consumers, and creators in our own right, trying to redress past wrongs by ensuring the existence of the mirrors, windows, and doorways we were denied years before.
As a father watching contemporary media aimed at kids, tweens, and teens with my own tween and teen daughters, I’m slowly getting the hopeful feeling that their future will be different — or, if it isn’t, there will be hell to pay. That’s not to say that there isn’t vast room for improvement — we haven’t solved it, not by a long shot — but the energy, the diversity, the mere and sheer presence in the media world with which my children interact and which they take for granted as normal is so far from what we grew up with, and so close to what we wish the media landscape at large looked like, that I can’t help but be a little optimistic.
A little over two weeks ago, I had the honor of leading a comics workshop with my SIUniverse partner Jerry Ma at the world renowned Metropolitan Museum of Art in New York City. Part of their annual Lunar New Year festival, Jerry and I helped small children and their families use inspiration from the museum’s rooms of Asian art to create their own superhero characters.
Amongst my friends and family, it is no secret that the only holiday I care about is Halloween. No, it isn’t just because the candy is free and flowing — although this is a huge bonus. What I love the most about he holiday is that there is this unbridled demonstration of ingenuity, creativity, and imagination. People get to step a little outside of their mundane lives and step into the realm of the fantastic.
Another thing I love are the costumes. I don’t think I’m alone in this, especially amongst my fellow NOC. While many of us were too busy to dress up, we made sure that our children did.
I would like to present to you the NOC Parade of Costumes: Our Children’s Addition.
I took my 9- and 5-year-old daughters to see The LEGO Movie on the second day it was out, and all three of us loved it. It is a true family film, one that can be enjoyed by different age groups at different levels — kids will love the humor, the action, that song they won’t stop singing once they get home, and, hey, it’s LEGO, while their parents will appreciate all the references to the kits and playsets of their childhoods, the inside jokes (ones that stick in my mind include the bearded fantasy wizard confusion, needy Green Lantern, Morgan Freeman and Liam Neeson playing parodies of their archetypal screen personas, and, of course, Batman and his song), and the amazingly detailed art and animation. It is also more subversive and heartwarming than you’d expect an hour-and-a-half-long corporate toy commercial could ever be.
In honor of The Nerds of Color’s first Halloween, this week’s School of Hard NOCs features our own little NOCs in Training in Halloween costumes past and present. We’ll forgo any identifying information to protect the innocent (inasmuch as we can do so while acknowledging that we are both dressing our children in geeky costumes and posting their pictures in said costumes online), but astute readers can probably figure out which younglings belong to which NOC.
To whet your appetite, we wanted share our favorite Halloween-themed commercial that proves the old adage that the NOC family that dresses in themed costumes and trick-or-treats together stays awesome together; click on the “more” link below that to see our own kids (both human and non-) in costume. From our families to yours, Happy Halloween!