What’s Hiding Behind the Feel-Good Curtain of Hidden Figures: One Black Feminist’s Take

In a scene in Hidden Figures that is all too familiar for Black women viewers, or really anyone from a historically marginalized group, Taraji P. Henson’s character Katherine Johnson rushes to enter the NASA control room where she has just handed off crucial calculations for astronaut John Glenn’s safe return from orbit, and has the door summarily slammed in her face. The camera lingers on Henson’s profile, as she grapples yet again with the devastating knowledge that although she may be a useful “computer” for spitting out numbers that may make missions successful and even save lives, she is still not seen as fully human in the eyes of her peers and superiors. Indeed, in Henson’s capable hands, viewers ourselves experience the physical and emotional pain of being barred from entering the halls of power for absurd reasons beyond one’s control — in this case, race and gender.

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Womyn Warriors of The Great Wall

The Great Wall was, as the movie posters implied, about how we should all say #ThankYouMattDamon. Yes, he comes up with the brilliant plans that the Chinese hadn’t figured out in the last 2,000 years (even though there was a clue in ancient texts) and all that white savior stuff — fittingly, the movie was written by the same guy who wrote The Last Samurai. Seriously, you can’t make this stuff up). But I’m not gonna talk about it because you can find it all over the internet.

You can read about the plot here — or read Valerie’s review here — so you know what I’m going to be talking about, but it’s basically Starship Troopers in ancient China. But there was a theme that made me not want to slit my wrists and go screaming out of the movie theater (which was the case when I saw Kubo and the Two Strings, but that’s for another day). What was it? It was the portrayal of womyn.

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Q&A with The OA’s Ian Alexander

by Jes Vu | Originally posted at Angry Asian Man

In a time where representation is such a hot topic in Hollywood, Netflix’s The OA does something few have done: cast an actual Asian transgender teenage boy as an Asian transgender teenage boy. Vietnamese-American teen Ian Alexander is one of multiple Asian actors in The OA’s main cast alongside Filipino/Puerto Rican-American Brandon Perea and British Pakistani Riz Ahmed (in a recurring role). Continuing the spotlight from his response to a viral anti-trans photo, Ian makes his on-screen acting debut as Buck Vu in the newly-released show having been cast from an online open casting call in 2015.

Growing up in places including Japan, Hawai’i, and D.C. have helped shape Ian. The fifteen-year-old high school junior has had more experiences than most teenagers his age, and his passion knows no bounds. He’s politically vocal, a huge admirer of actors and filmmakers like Jen Richards (Her Story) and Laverne Cox (Orange is the New Black) and relentless as a Marvel fanboy (he’s “Team Bucky” for those who are curious). Ian had time to sit down and talk about his upbringing and the show (don’t worry, there are no spoilers here).

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Gender and Tech: The New Boss, Same as the Old Boss

My name is Julie, and I am an actual woman in tech. Sometimes it’s hard being me in tech, because I am a woman… of color… with children… who hasn’t watched a single Iron Man or Wolverine movie. Call me Unicorn.

Have you read about the latest study that shows how shitty it still is to be coding while female (or, I assume, presenting as female)? The way they controlled for geekiness is especially awesome. There aren’t many surprises in this study’s findings; women in Computer Science and tech in general have always been excluded, implicitly and explicitly, and it seems the majority still likes to protect its vanguard.

The article’s flaw, in my opinion, is labeling Dungeons & Dragons, Star Trek, and other geek institutions as “masculine.” That’s too easy to dispute, and therefore, dismiss. We all can see why “masculine” is not the most accurate adjective to use: there are plenty of counter-examples of masculinity that have nothing to do with that stuff, and of course there are plenty of femmes who like that stuff. It is rather more a slice of the pop culture universe that is indeed white male dominated, but takes its identity from fandoms, the objects of those fandoms, and the general quest for purity within those fandoms. So for the rest of this article, I’m going to call this cultural archetype “ubergeek.”

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Artist Talk: Shawn Taylor in Conversation with Ajuan Mance

If you’re in the Bay Area this week, you should attend this conversation. It is one of our events leading up to 2017’s Black Comix Arts Festival, a Co-Presentation of MoAD, Cartoon Art Museum, and Black Comix Art Festival.

Join the Cartoon Art Museum and Black Comix Art Festival at the Museum of the African Diaspora for, “Ajuan Mance in Conversation with Shawn Taylor,” an evening celebration of current Bay Area cartooning sensation Ajuan Mance as part of the SF Comics Fest. Writer Shawn Taylor from The Nerds of Color will chat with Ajuan about her latest projects in illustration, cartooning and writing, her creative process, her recent rise in popularity, and what she plans to achieve next.

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Luke Cage is the Most Feminist Show on TV

Spoiler warning: spoilers throughout. Best to read this after watching the whole season! Which I recommend!

It was during a small, nearly throwaway scene deep in episode 10 that it hit me like Jessica Jones’ fist: Luke Cage is the most feminist show I’ve ever seen.

The scene, captured in the screen grab above, features four women characters — four black women, not a one of them under the age of 30 (and none of the actresses under 35) — each of whom is in fundamental conflict with the others, but who come together in two temporary alliances to fight a multi-level battle. Yes, it’s complicated.

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Why It Matters When Women of Color Play Love Interests

I tweeted this over a month ago from The Nerds of Color handle, when I was excited about the Zendaya news and wanted to quickly hop on the celebrations. Suffice to say the tweet raised some eyebrows. The tweet fails to mention other recent castings or acknowledge the other women of color who came before them, in both film and TV. And from a feminist point of view, the inclusion of romance in a film is often considered a disservice to the female character (coughBruce/Natcough). The complex ways in which women of color are portrayed on screen is worth exploring, so let’s take a closer look at that now. How far have we come in terms of representation? And what does it mean to show a woman of color being loved?

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Representation Is Heavy (But It Matters)

[Featured image by: Menellaos]

Several weeks ago I had the singular pleasure of substitute teaching for a course in the California College of Arts M.F.A. in Comics program. Yes, you read that correctly. There is an M.F.A. in comics. Where was this X number of years ago when I was on my Higher Ed journey?

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Hard NOC Live from SDCC 2016: Lisa Yee

On the heels of the home video release of the first DC Super Hero Girls original movie, Hero of the Year, here is our conversation with the writer of the DCSHG middle grade novels, Lisa Yee, from the lobby of the Grand Hyatt hotel during San Diego Comic-Con 2016!

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