Palm trees wrapped around the streets of Beverly Hills, and gorgeous golden rope lights wrapped around them, on the way to the exclusive William Morris Endeavour Screening Room, located near the heart of one of California’s most famous zip-codes.
Keith is back! And he’s joined by Britney and returning guest co-host Lauren Lola to go over all of the news and reveals from last week’s Star Wars Celebration in London, including the announcement of three new films and first footage from Ahsoka.
It’s finally here: check out the teaser trailer and poster for Disney’s comically creepy adventure, Haunted Mansion! Directed by award-winning filmmaker Justin Simien, the movie will be released in theaters on July 28.
Regardless of the state of affairs regarding the Warner Bros. Discovery/HBO Max situation, the one thing you can always count on: You just can’t stop Batman. This week, HBO Max announced the return of their acclaimed podcast Batman: The Audio Adventures.
It’s the D23Expo, so of course we are going to get to see some exclusive new footage from all kinds of films from their animation and live-action slate. While the studio’s film adaptations of their rides have been more or less a mixed bag, director Justin Simeon, who used to work at Disneyland, seems to embrace the true spirit of the Haunted Mansion.
Forget Star Wars, Lord of the Rings, or The Dark Knight. After nearly three decades, filmmaker Kevin Smith finally concludes his epic trilogy with the Clerks III trailer that just debuted — even if Dante and Randall weren’t supposed to be here today.
“Ezra’s out there somewhere. And it’s time to bring him home…” four years ago, those final words ended one journey, and began a new one, as the beloved Star Wars: Rebels brought its four-season run to a close. For years, Rebels mastermind, and overall walking Star Wars encyclopedia, Dave Filoni, has been asked when we’d get to see that new journey unfold. And this weekend at Star Wars Celebration, Filoni finally answered that question.
In 2016, Eisner Award-winning graphic novelist and philanthropist Edgardo Miranda-Rodriguez created La Borinqueña to drive conversations around the social, economic, and environmental crises affecting Puerto Rico. As a direct response to Hurricane Maria, he created our La Borinqueña Grants Program which has awarded $165,000 in grants to non-profit organizations across Puerto Rico.
This week, news broke that Lucasfilm was ramping up production on Ahsoka and looking for an actress to play a live action version of the popular Rebels character, Sabine Wren. Naturally, I was taken aback by the phrase “looking for” because an actress already plays Sabine and her name is Tiya Sircar.
I struggled to write this spoiler free review. I wanted it to stand apart from other reviews, while simultaneously endorsing the hell out of season two of Marvel/Netflix’s Luke Cage. After seven drafts of supernaturally crappy reviews, I decided to do it this way instead — bringing it back to the old school.
The story in brief: In keeping with western metaphor of season one, Luke has matured from gunfighter to sheriff. He is out and about, highly visible, and a pillar of the community. An enemy from “Black” Mariah Dillard’s past shows up to claim his place at the table of the criminal elite. A gang war ensues with Luke Cage ending up where none of us could have predicted.
This Saturday, Disney will air the third season finale of Star Wars: Rebels, and by all indications, it’s going to be awesome. I’ve said it before, but Rebels is probably my favorite entry into the Star Wars canon since Empire Strikes Back. Season three has only solidified its GOAT status as far as televised Star Wars stories go. If you don’t believe me, be sure to check out last week’s episode set on Tatooine — which only made me want a solo Obi-Wan movie even more.
In tandem with Rogue One, Star Wars: Rebels is the perfect bridge between the prequels and the Original Trilogy. And not for nothing, Rogue One, in a way, featured the first live action incarnations of our favorite members of the Ghost crew. While Chopper was the only Rebel we saw on screen, if we ever get to see the rest in the future, here are the actors I’d like to see playing them.
Color Commentary returns and this time we’re taking on the first season of Marvel’s Luke Cage.
In the spirit of MST3K and Honest Trailers, Color Commentary is done in complete satire, is intended for a mature audience and is meant for entertainment purposes only. In other words, if you take any of this seriously, you are a fracking idiot.
Spoiler warning: spoilers throughout. Best to read this after watching the whole season! Which I recommend!
It was during a small, nearly throwaway scene deep in episode 10 that it hit me like Jessica Jones’ fist: Luke Cage is the most feminist show I’ve ever seen.
The scene, captured in the screen grab above, features four women characters — four black women, not a one of them under the age of 30 (and none of the actresses under 35) — each of whom is in fundamental conflict with the others, but who come together in two temporary alliances to fight a multi-level battle. Yes, it’s complicated.
Let me be upfront and get this out of the way, I love Marvel and Netflix’s Luke Cage. I love it for the way it is shot. I love it for the unparalleled beauty of the soundtrack. I love it for its color palette. I love it for its hesitancy and awkwardness. I love it for some of the struggle-performances. But what I love the most about it is how black it is.
I wasn’t gonna do this, but in a conversation on twitter, @BlackGirlNerds asked me to expand on what I recently called “Daredevil‘s White Virgin/Whore of Color Complex” and I would hate to disappoint. Don’t get me wrong: I’m not just trying to dump on Daredevs. I still love the first season, and the second season, despite serious problems, is still great television in a lot of ways.
But I hope — on this site especially — I don’t need to go over again why/how problematic representations of POC and women spread like mayonnaise over a beloved television property can be like an all-day, all-you-can-take, face-slapping machine. And Arthur Chu has already shown you the wasabi-infused mayo currently salmonellizing on Daredevil‘s bread.
Four of our favorites are paired up once more and give us some outstanding on-screen chemistry. Claire’s patches up Matt again, even if it’s for a brief moment. While Vanessa is in recovery, Fisk and Wesley share some very tender moments as Wesley tries to balance his BFF’s sanity with keeping the machine moving. Nelson and Murdock Attorneys at Law continues to unravel with Karen upset and the boys still not talking to each other. Mr. Potter battles like a gladiator and we get quite the climatic ending in “The Path of the Righteous.”
When great writing, directing, and acting come together in a crime drama, every so often we are treated to interesting and complex characters that are so much more than just “the bad guys.” It also turns out, from stage and some screen experience, these are the roles actors salivate over. Whether they admit it or not, everybody wants to play the villain. Even more want to play a villain with depth that can get the audience behind them. This episode gives us deeper insight into the well-oiled machine that is the extremely organized crime operation run by concert master Wesley on the ground, but overseen by the true conductor of the symphony: Wilson Fisk.
It’s been three weeks since Marvel dropped Daredevil on Netflix, and the nerdosphere is still head over heels for the show. Now that Netflix has announced a second season of their hit superhero series, Hard NOC Life returns to talk about how Marvel is taking over the streaming television game with Black Nerd Problems’ Jordan Calhoun (@jordanmcalhoun) — whose Daredevil piece you’ve probably read — and returning Hard NOC champ Raymond Chow.
Okay, I think we can break it down into three acts: Matt and Claire, Battlin’ Jack, and the beat down at the end. I guess there’s also the Karen and Foggy bender that’s cute and light. Enough on that? Okay, good. Ding, ding, there’s the bell. Let’s get in to episode two of Daredevil, “Cut Man.”
This past weekend was the first weekend of spring weather in New York City, and instead of running through Central Park or eating ice cream from the street vendors that appeared like spring flowers, I spent 13 hours indoors watching Daredevil. And I regret nothing. Daredevil is — and I don’t say this lightly — the best superhero show ever made.
Eric is doing weekly recaps of each episode of Daredevil, but this column will be a review of the series as a whole. I will try and keep this as spoiler free as I can. I really will try. I promise.
For a good long run, DC was the king of bringing their properties to the large and small screens. From 1943 with the Batman serials, to SupermanI and II in 1978 and 1980, to the glory that was Batman: The Animated Series (1992-1995), DC had the televisual and cinema game on lock. Marvel did their thing, but nothing Marvel did could hold a candle to Justice League Unlimited. Not a Hulk, Thor, Daredevil special. Not any animated iteration of The X-Men or the Avengers. Not anything, animated or not. Then in 1998, Blade happened.