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Nancy Wang Yuen

Nancy Wang Yuen is a sociologist of the people and author of 'Reel Inequality: Hollywood Actors and Racism.' View all posts by Nancy Wang Yuen

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'Fantastic Four' Lays the Foundation for the MCU's Future July 28, 2025
'Superman' Takes Us Home July 14, 2025
'Andor' and a New Hope for 'Star Wars' May 19, 2025

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A place to discuss, comment on and geek out about stuff in the world of fandom (i.e., comics, movies, gaming, animation, toys, etc.) through the culturally critical eye of a POC. Follow us @TheNerdsofColor

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Anna Cathcart And Sang Heon Lee Talk XO Kitty Ending, KPop Demon Hunters, and Singles Infero.

'Jury Duty Presents: Company Retreat' Star LaNisa Renee Frederick on Acting and Representation

Super Mario Galaxy Movie Review: Tons of Easter eggs, a heavy dose of cuteness, and nostalgia carry the Nintendo and Illumination release, which plays all the Mario Bros. hits on easy mode.

Author Traci Saulsberry on Finding Meaning in ‘This is How You Love Her’

Swara explains why he's always related strongly to Supergirl/Kara Zor-El.

Official ‘Masters of the Universe’ Trailer is a Revelation

Directors Januel Mercado and Joel Crawford on the Filipino Roots of ‘Forgotten Island’

The Middle Geeks podcast interviews Palestinian director Annemarie Jacir on her latest film debuting in US theaters this weekend, 'Palestine 36'.

‘Scooby-Doo’ to Clash with the Universal Monsters for Universal Fan Fest Nights

Feeling the Filipino Pride with H.E.R and Liza Soberano from 'Forgotten Island'

‘The AI Doc: Or How I Became an Apocaloptimist’ is a Rousing Call for Humanity to Take Action

‘Bluey’ Has Arrived at Disneyland: What Fans Need To Know

How Dreamworks’ ‘Forgotten Island’ Fosters Filipino Culture and Folklore

Though Kim's Convenience, now having its run at @ctgla, is enjoyable in its many funny and touching moments, Ins Choi's 2011 play is very much outdated in its necessity to showcase Korean identity & culture that is completely catered to white people. Despite a well rounded cast and excellent direction by Weyni Mengesha, the play has the feel of a fluffy primetime comedy that ties up its loose traumatic elements in a neat 90 minute bow.

Bait’s Riz Ahmed And Guz Khan On Finding Humor In Existential Crises

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