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Dennis R. Upkins

Speculative Fiction Novelist. Author of Hollowstone, West of Sunset and other cool stories. Wordsmith, activist and nerd seraph. Saving the world and/or taking it over. http://www.dennisupkins.wordpress.com View all posts by Dennis R. Upkins

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The Nerds of Color

A place to discuss, comment on and geek out about stuff in the world of fandom (i.e., comics, movies, gaming, animation, toys, etc.) through the culturally critical eye of a POC. Follow us @TheNerdsofColor

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Top Disneyland Resort Summer Musts For Toddlers and Youngling-Age Kids

Taking a Ride with the Cast and Director of ‘Passenger’

‘Sinners’ is Coming to Universal Studios’ Halloween Horror Nights

NOC Interview: Leah Sava’ Jeffries and Aryan Simhadri Tease ‘Percy Jackson and the Olympians’ Season 3

Disneyland's Kids Rule The Summer Kicks Off

@outsideinthtr never ceases to enthrall us and their latest production 'O: A Rhapsody in Divorce' continues that magic in their most definitive work yet. Written by @jamibrandli and directed by @jessessa, it is a joyous marvel that fantastically adapts the ancient Greek epic The Odyssey for the modern age and transforms it into a truly breathtaking production filled to the brim with humor, heartbreak, and awe-inspiring imagination.

NOC Review: 'The Mandalorian and Grogu' Satisfies with Simplicity

NOC Interview: Oliver Stark, Ryan Guzman, and Aisha Hinds Talk ‘9-1-1’ Season 9

NOC Interview: Angela Bassett on ‘9-1-1’ and Returning to ‘American Horror Story’

‘Spider-Noir’ Actor Brendan Gleeson on Silvermane’s Humanity

'Masters of the Universe' Director Travis Knight is a Master of Cinema

NOC Interview: Lindsay Lohan Previews Hulu’s ‘Count My Lies’

‘Wildwood’ Teaser Proves Why Cinema Today Needs More Laika

‘Obsession’ Stars on Filming Horror and Making Deadly Wishes

Henry Ong's final play Ascent, now having its world premiere at the @skylighttheatre, is an urgently relevant production from @plainwoodproductions based on a true story about Chinese aerospace engineer Qian Xuesen. Though the play's pacing is bogged down by far too many short scenes coupled with laborious scene transitions and the second half of Qian Xuesen's fascinatingly complex life in China unfortunately omitted, it has tremendous heart that is filled with incredible performances from their ensemble cast.

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